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Saadeh Bejjane Architecture
Architecture Styles   
 
 
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Saadeh Bejjane Architecture, Architecture Styles
 
  1. Architecture Style, Paul Rudolph Architect
  2. Architecture Style, Richard Meier
  3. Architecture Style, Mies van der Rohe
  4. Architecture Style, Le Corbusier
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  1- Architecture Style, Paul Rudolph Architect

 
Paul Marvin Rudolph was an American architect and the Chair of Yale University's Department of Architecture for six years, known for his use of concrete and highly complex floor plans. His most famous work is the Yale Art and Architecture Building (A&A Building), a spatially complex brutalist concrete structure. (Wikipedia)

Born: October 23, 1918, Elkton, Kentucky, United States
Died: August 8, 1997, New York City, New York, United States
Books: The architecture of Paul Rudol...ph, Writings on architecture, more
Education: Auburn University, Harvard University, Harvard Graduate School of Design

In the late 1950s, Paul Rudolph's Florida houses began to attract attention outside of the architectural community and he started receiving commissions for larger works such as the Jewett Art Center at Wellesley College. He then took the chairmanship of the Yale School of Architecture Department. He designed the Temple Street Parking Garage, also in New Haven, in 1962.

While chair of the Department of Architecture at Yale, Rudolph taught Muzharul Islam, Norman Foster and Richard Rogers, all attending the Master's course as scholarship students. Foster in particular has noted the significant influence that Rudolph had upon him. Rudolph was invited to Bangladesh by Muzharul Islam and designed Bangladesh Agricultural University.

He worked on the Milam Residence, which was designed and constructed between 1959 and 1961. It still stands today on Florida's eastern coast, outside Jacksonville. Here, the only dimensional control was the size of standard concrete blocks that were used (8 x 8 x 16 in), fair-faced, for structural and partition walls alike. The large blocks provide shade for the windows, allowing the Florida home to be easily cooled. This house's seaside facade of stacked rectangles exemplifies the sculptural nature of Rudolph's work during this period. From inside the structure, Rudolf wanted the inhabitants to locate themselves according to mood, so the large two-story window in the living room contrasts other areas of the home which feel more cave-like and secluded. Rudolph's fascination with European Modernism and the neo-Classical theory made this a difficult building to construct. Rudolph had to show concern for multiple influences as well as his own style. At the time, Rudolph was working independently and would later become an icon in European Modernism.

While the Brutalist style fell out of favor in the U.S. during the 1970s, Rudolph's work evolved, and became in demand in other countries. Rudolph designed reflective glass office towers in this period, such as the City Center Towers in Fort Worth, Texas, which departed from his concrete works. Rudolph continued working on projects in Singapore, where he designed The Concourse office tower with its ribbon windows and interweaving floors, as well as projects in other Asian countries through the last years of his life.

  
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Saadeh Bejjane Architecture's photo. 'Campus architecture'
 
 
  2- Architecture Style, Richard Meier
 
Richard Meier, born October 12, 1934, is an "American abstract artist and architect, whose geometric designs make prominent use of the color white
 
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Saadeh Bejjane Architecture's photo. Saadeh Bejjane Architecture's photo. Saadeh Bejjane Architecture's photo.
 
 
  3- Architecture Style, Mies van der Rohe
 
Ludwig Mies van der Rohe was a German-American architect. He is commonly referred to and was addressed as Mies, his surname. (Wikipedia)
Born: March 27, 1886, Aachen, Germany
Died: August 17, 1969, Chicago, Illinois, United States
Influenced by: Le Corbusier, Frank Lloyd Wright, Peter Behrens
Organization founded: Illinois Institute of Technology ...
 
Quotes:
- Architecture starts when you carefully put two bricks together. There it begins.
- I don't want to be interesting. I want to be good.
- God is in the details.

Along with Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is widely regarded as one of the pioneers of modernist architecture.

Mies, like many of his post-World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. He is often associated with his quotation of the aphorisms, "less is more" and "God is in the details".

He continued with a series of pioneering projects, culminating in his two European masterworks: the temporary German Pavilion for the Barcelona exposition (often called the Barcelona Pavilion) in 1929 (a 1986 reconstruction is now built on the original site) and the elegant Villa Tugendhat in Brno, Czech Republic, completed in 1930.

 
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   4- Architecture Style, Le Corbusier
 
Le Corbusier was a Swiss-born French architect who belonged to the first generation of the so-called International school of architecture.

I prefer drawing to talking. Drawing is faster, and leaves less room for lies.
Le Corbusier ...

Le Corbusier was born Charles-Edouard Jeanneret-Gris in Switzerland on October 6, 1887. In 1917, he moved to Paris and assumed the pseudonym Le Corbusier. In his architecture, he chiefly built with steel and reinforced concrete and worked with elemental geometric forms. Le Corbusier's painting emphasized clear forms and structures, which corresponded to his architecture.
 
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